[Pretty Yende] brought a winning combination of elegance and spunk to the part of the farm owner Adina in her amorous jousting with the ardent peasant Nemorino and the bullying sergeant Belcore...

L’Elisir d’Amore / Metropolitan Opera

Quote: James R. Oestreich, New York Times

Ms. Yende sang beautifully from the start, gaining warmth and depth as nonchalance and flirtatiousness developed into love. She deftly executed the acrobatics at the end, with joyous, tumbling high roulades.

James R. Oestreich, New York Times

Yende, the South African soprano who is fast becoming a favorite at the Met, is a natural as Adina. Her flirtatious smile is always playful and her transitions to jealousy and then love for Nemorino are convincing. Her voice has a lilting, silvery quality that is at once bright and delicate, especially her pianissimo passages. In her opening cavatina, reading from the book, she runs through a succession of trills like a race horse. And her duets with Nemorino are at first feisty then tender and loving.

Wilborn Hampton, Huffington post

In the role of Adina, Pretty Yende displayed great vocal agility, soaring and falling with an ease that spoke to the flighty, elusive nature of Adina. This was overall an excellent performance by Yende, who made playing hard-to-get sound splendid from beginning to end.

OperaWire

There was an infectious glee in her acting, and her bright, creamy timbre was employed in a performance of quick-witted verve and bounce, supple coloratura and sunlight.

Seen and Heard International