Pretty Yende’s coloratura fireworks and keen musical instincts in the role of Marie made for the greatest triumph yet in a young but already impressive career

New York Classical Review: Top Ten Performances of 2019

Quote: New York Classical Review

Donizetti’s La Fille du Régiment. Metropolitan Opera.

La Fille du Régiment, Donizetti’s sunny romp through the Tyrolean hills, may feel like a light piece, a silly romantic comedy with a few memorable numbers. In a revival this February, the enchanting production by Laurent Pelly and a starry cast made this goofy opéra comique seem full of deep meaning. Javier Camarena’s Tonio was one for the ages and he was called on to encore “Pour mon âme” every night, while Pretty Yende’s coloratura fireworks and keen musical instincts in the role of Marie made for the greatest triumph yet in a young but already impressive career. From bottom to top, this cast boasted irresistibly playful performances that proved romantic comedy can be as profoundly joyful as the most heart-rending drama can be tragic.